Additional information
| Weight | 1 kg |
|---|---|
| Dimensions | 60 × 42 × 0.2 cm |
| Options: | Unframed |
R4,950.00
Explore South African passions in this spoof graphic, playfully featuring guns, whiskey, Rolex, German luxury cars, and Nelson Mandela. The design incorporates two Secretary birds from the national heraldic Coat of Arms, blending humor and cultural symbols in a unique composition.
| Weight | 1 kg |
|---|---|
| Dimensions | 60 × 42 × 0.2 cm |
| Options: | Unframed |

Discover the collaborative brilliance of ijusi issue number 3 (1995), a unique blend of first-year design students from ML Sultan Technikon and seasoned graphic designers. Each professional was challenged to reimagine a woodcut print from a student, expressing their personal perspectives on the theme of Reform and Reconciliation. Uncover a captivating fusion of fresh talent and seasoned expertise in this one-of-a-kind artistic exploration.

Explore the cultural revolution in ijusi Issue #4 (1996), the ‘Rave Issue,’ unveiling the explosive Durban music scene post-1994 elections and lifted restrictions. Delve into a captivating event in northern Zululand, where locals and guests revel in a day-long celebration at the inauguration of a new primary school. Immerse yourself in traditional dancing, festive drinks, delectable food, and unique experiences enhanced by ‘herbal products.’ Witness the convergence of cultural expression and social transformation in this iconic issue capturing the pulse of post-apartheid South Africa.

‘Stop! Go!’ is an iconic ijusi graphic designed by Garth Walker, showcased in iJusi magazine’s fourth issue on page 6.Explore authentic ijusi cover artwork from 1995, featuring original Zulu patterns and colors. The central circular sun motif replicates a traditional Zulu earplug, crafted from timber and vinyl. This unique piece reflects an early attempt to create graphic icons, making it a highly collectible item.

Uncover Zulu culture through earplugs, vital in pre-puberty ceremonies. Stretched over time, these earplugs symbolized domicile, clan, and Zulu identity with distinctive colors. In the 40s and 50s, artists reached new heights using Marley floor tiles, creating intricate designs with interlocking geometric patterns. Crafted in the Msinga area of KwaZulu-Natal, these earplugs, made with unique materials, epitomize Zulu artistic heritage.
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