Additional information
| Weight | 1 kg |
|---|---|
| Dimensions | 60 × 60 × 0.2 cm |
| Options: | Unframed |
R12,995.00
Explore a unique artwork that blends mid-1950s Japanese tin-plate toy robots with African artistic influences. During the 1950s, Japan captivated the world with its battery-operated toy robots inspired by the era’s fascination with space travel, Sputnik, and jet airplanes. These brightly colored, remote-controlled robots, often featuring flashing lights and sound effects, were highly coveted gifts for young boys. This drawing reimagines the iconic robot silhouette as a graphic outline, duplicated to create a striking positive/negative composition. The African influence is evident in the minimalist, rigid pose and the vibrant application of color using hand-made soft chalk powders and colored inks. The negative image effect is achieved with powdered graphite, commonly used for lubricating locks and mechanical items. This artwork is a compelling fusion of nostalgic robotics and traditional African artistry.
| Weight | 1 kg |
|---|---|
| Dimensions | 60 × 60 × 0.2 cm |
| Options: | Unframed |

Dive into the thought-provoking realm of ijusi Issue #8 (1999), aptly named the ‘Black & White Issue.’ Explore a collection of captivating black and white illustrations delving into South Africa’s complex history of race relations and apartheid. Discover the designers’ personal views and experiences in a ‘black and white’ South Africa, offering a unique perspective on the nation’s past.

Discover the essence of Ubuntu, meaning ‘I am, because you are.’ Rooted in the Zulu phrase ‘Umuntu ngumuntu ngabantu,’ it embodies the interconnectedness of individuals. This artwork incorporates sheep heads, symbolizing unity between black and white South Africans in the true spirit of Ubuntu. Cooked as a delicacy, sheep heads represent affordable, communal fast food enjoyed by diverse communities, illustrating the shared humanity inherent in Ubuntu’s profound philosophy.

Discover the collaborative brilliance of ijusi issue number 3 (1995), a unique blend of first-year design students from ML Sultan Technikon and seasoned graphic designers. Each professional was challenged to reimagine a woodcut print from a student, expressing their personal perspectives on the theme of Reform and Reconciliation. Uncover a captivating fusion of fresh talent and seasoned expertise in this one-of-a-kind artistic exploration.

Discover the collaborative brilliance of ijusi issue number 3 (1995), a unique blend of first-year design students from ML Sultan Technikon and seasoned graphic designers. Each professional was challenged to reimagine a woodcut print from a student, expressing their personal perspectives on the theme of Reform and Reconciliation. Uncover a captivating fusion of fresh talent and seasoned expertise in this one-of-a-kind artistic exploration.
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